Michael Göttert at African Paper writes:
“When the lineup for the recent VOD Festival in Friedrichshafen was announced, many were surprised and delighted to learn that Graeme Revell would be performing. The relevance of SPK’s early work in particular to industrial culture, musically, visually and conceptually, can hardly be overestimated. Revell’s further musical career is well known: ‘In Flagrante Delicto’ by ‘Zamia Lehmanni’ paved the way for him to become a composer in Hollywood, where he created around 100 soundtracks. When I spoke to him at the VOD Festival, he said that he is primarily concerned with AI these days, which was also evident in the use of visuals and films during his performance with his son Robert. In this respect, a number of the questions in the following interview revolve around technology and AI. It is perhaps not surprising that the motto on his Facebook page is ‘With little attachment to the past; yet remembers the future.’”
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